Melba Carillo, Mazo, ceremonial necklace for the Orishá Yemayá (Collar ceremonial para Orishá Yemayá), 1999, glass and plastic beads.
COURTESY HUNTER COLLEGE/EL MUSEO DEL BARRIO, NEW YORK
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz