Vanessa Thill, The Green Split (CTKO), detail, 2018, ink, fabric dye, sand, shampoo, engine degreaser, concrete pigment, glue, resin, and mixed media on paper, with nylon rope, clay, and wool.
CHARLES BENTON/COURTESY THE ARTISTS AND STEP SISTER
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz