An unbelievable work at Peter Freeman, of New York and Paris: Richard Serra’s 1986 T with Two. Were it not quite so cumbersome, I might try to make off with it.
Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis