Installation view of “Matthew Harris: Hell,” 2018, at Neon Parc, Melbourne, Australia.
CHRISTO CROCKER/COURTESY THE ARTIST AND NEON PARC
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines