Installation view of “Rodrigo Hernández: The Gourd & The Fish,” 2018, at SALTS, Basel, Switzerland.
GUNNAR MEIER/COURTESY THE ARTIST, CHERTLÜDDE, BERLIN, MADRAGOA, LISBON, AND P420, BOLOGNA
Voices Carry: Suzanne Lacy’s Polyphonic Art Defies Museum Curating—and Is Helping to Reinvent It
At a Frenetic Outsider Art Fair Opening, Memory Jugs, New Discoveries, and a Family Affair
‘We Want to Invest in the Region’: FOG and Untitled Fairs Bring Out Dealers, Collectors in San Francisco