Brutalism, Air Fresheners, and Augmented Reality: Around Cleveland’s Front International Triennial, Part 1

Marlon de Azambuja’s Brutalismo-Cleveland (2018), on view at the Cleveland Museum of Art, alludes to the history of modernist architecture in the Ohioan city through a series of cement blocks and clamps. Think Bodys Isek Kingelez by way of Marcel Breuer.

ALEX GREENBERGER/ARTNEWS