Brutalism, Air Fresheners, and Augmented Reality: Around Cleveland’s Front International Triennial, Part 1

Agnieszka Kurant’s neon work The End of Signature (2017–18) was made by collecting signatures from the Cleveland Museum of Art’s employees and trustees, and then combining them via computer software. The resulting squiggly form was made into a neon sculpture and is now exhibited on the institution’s facade.

ALEX GREENBERGER/ARTNEWS