Elie Nadelman, Untitled (two standing women, painted), n.d. (1930–35), papier-mâché and paint.
COURTESY GALERIE BUCHHOLZ BERLIN/COLOGNE/NEW YORK
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis