Maia Lynch, Caramel Garden, n.d., gouache (opaque watercolor) on paper.
COURTESY THE ARTIST AND MUSEUM OF FINE ARTS, BOSTON, REPRODUCED WITH PERMISSION
The Museum of Modern Art Expands: Complete Coverage
Finally, a Biennial That Does Justice to Indigenous Narratives
How Suzanne Lacy’s Feminist Work About Sexual Assault in the 1970s Created a New Art Form