Amanda Valdez, first might, 2018, embroidery, fabric, hand-dyed fabric, oil stick on mounted paper, and canvas.
COURTESY THE ARTIST AND DENNY DIMIN GALLERY, NEW YORK
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz