File this one in the “digital photographs can tell you nothing” category. It’s a 1982–83 Howardena Pindell, covered with minute bits of paper, its intricate patterning moving toward the sublime.
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis