Sadie Coles HQ, of London, has this giant pair of concrete booths by Sarah Lucas and, on a back wall, new prints on dance floors by Martine Syms. Plus, behind the boots is a suite of Raymond Pettibon’s text-filled paintings. What’s not to love?
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis