Morning Links

Morning Links: Trade Secrets Edition

Bona Yoo, who has been accused of stealing trade secrets and client data from Lehmann Maupin gallery.

KIM JAEHOON

Money

An intimate drawing by Tupac that the rapper created while he was in prison was recently auctioned off for around $21,000. [TMZ]

The Foundation for Contemporary Arts has revealed the artists receiving $40,000 grants as part of the organization’s 2019 awards cycle. Among them are Trisha Donnelly, Mika Tajima, and Clarissa Tossin. [ARTnews]

Market

Lehmann Maupin gallery has filed suit against a former employee who now works at Lévy Gorvy gallery, alleging that she stole client data and trade secrets. [Artnet News]

Film

Never Look Away, inspired by Gerhard Richter’s life, has been nominated for two Oscars—Best Foreign Language Film and Best Cinematography. Willem Dafoe, meanwhile, has been nominated for Best Actor for playing Vincent van Gogh in At Eternity’s Gate. [Deadline]

In case you missed it: Ann Lewinson reviewed Never Look Away for ARTnews, writing, “Never Look Away is not the first film about an artist that has little understanding of how art is made, but Henckel von Donnersmarck’s reductive smugness has an Oedipal dimension that does make one want to look away.” [ARTnews]

Free Use

The Cleveland Museum of Art has added images of 30,000 works in its holdings—just under half of the pieces it owns—to the Creative Commons. [Cleveland.com]

Politics

Following a lawsuit against the Sackler family in Massachusetts, politicians and activists have begun demanding that Harvard University remove the Sackler name from its buildings, including its art galleries. [Artforum]

With the U.S. government shutdown in full effect, some have begun to doubt whether the National Gallery of Art’s planned Tintoretto show—the first-ever retrospective for the artist in North America—will go on view. [The Washington Post]

Meanwhile, a Trevor Paglen sculpture in outer space has yet to be able to completely unfurl, due to the government shutdown. [The Art Newspaper]

The Critics

Peter Schjeldahl on Dana Schutz’s new show at Petzel gallery in New York: “As you gaze, Schutz’s aggressively goofy-looking figuration, though initially unsettling, can come to strum your heart.” [The New Yorker]

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