Installation view of “Life to come,” 2019, at Metro Pictures, New York.
COURTESY THE ARTISTS AND METRO PICTURES, NEW YORK
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis