Megan Greene, Our Heads are Round, 2019, colored pencil, collage, and ink on paper.
COURTESY THE ARTIST AND REGARDS
Muses: Nakhane on Barkley Hendricks, Wolfgang Tillmans, and Rachmaninoff
For Whitney Biennial, One Participant Targets Controversial Whitney Patron
Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis