Growl, 2010. To achieve the smooth cream-like opaque quality on the owl in this piece, Sally used a glaze called majolica. “It’s been around for centuries and is not difficult to make,” she said.
The Venice Biennale: Everything You Could Ever Want to Know
Stonewall at 50: A Roundtable with Vaginal Davis, Michela Griffo, and Jonathan Weinberg
From the Archives: MoMA Stages a Bauhaus Show, in 1938