Mira Schendel (1984, touched with gold leaf), Lina Bo Bardi (a ca. 1982 bench from her famed project Sesc Pompeia), and Cildo Meireles (a funky 1973 abstraction), one after another, at São Paulo’s Galeria Luisa Strina.
Remembering Wynn Kramarsky: Friends and Colleagues on the Storied Art Collector and Patron
Display Cases: Greg Tate on a Whitney Biennial Haunted by Warren Kanders and Mamie Till
13 Iconic MoMA Shows from the 1930s—and What ARTnews Said at the Time