São Paulo’s Galeria Bergamin & Gomide has assembled an elegant booth of classic Brazilian modernism—from left to right, it’s Lygia Clark, Lygia, and Alfredo Volpi, from 1958, ca. 1960, and 1957 respectively.
Remembering Wynn Kramarsky: Friends and Colleagues on the Storied Art Collector and Patron
Display Cases: Greg Tate on a Whitney Biennial Haunted by Warren Kanders and Mamie Till
13 Iconic MoMA Shows from the 1930s—and What ARTnews Said at the Time