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Eileen Kinsella:
Why It Now Costs $25 to Get Into MoMAEileen Kinsella talks about museum admission fees as part of the New York Times' series "Room for Debate".When: Sun September 11 2011 12:00 AM - Tue September 11 2012 12:00 AMPopular Posts
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Author Archives: Hilarie M. Sheets
Uncovering Matisse

The first major survey of Matisse's output during World War I uses cutting-edge technology and old-fashioned connoisseurship to reveal his radical system of scraping, scratching, and repainting. Read More
Turning the Subject into the Artist

Oliver Herring is guided by social interaction—in communally made photosculptures, in giddy performances where volunteers take on bizarre tasks, and in videos featuring strangers who come by his Brooklyn studio. Read More
Waves of Light

From bulbs to neon and fluorescent tubing to LEDs and other electronic creations, artists are using light—as material and subject—to comment on everything from advertising to spirituality. Read More
Optical Delusions

In Tim Eitel’s monumental canvases, walls might be space, interiors could be exteriors, and the figures could be either real or imagined. Read More
Underrated/Overrated

Which artists have been overlooked? And which have we been looking at too much?. Read More
Cut It Out!

Kara Walker’s cutout silhouettes of antebellum racial stereotypes are lewd, provocative—and beautiful. Kara Walker’s cutout silhouettes of antebellum racial stereotypes are lewd, provocative—and beautiful Read More
The Mod Bod

Modified, magnified, dissected, and erected, the body takes on unexpected shapes when sculptors use it as a metaphor for emotions. Modified, magnified, dissected, and erected, the body takes on unexpected shapes when sculptors use it as a metaphor for emotions. Read More
Reinventing the Landscape

From the spiritual to the technological, the sublime to the revolutionary, today's landscape painters are transforming the genre. Read More




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