High Court Drama: Scholars, Christie’s, and the Russian Oligarch
A judge decided it was a fake, but some scholars say that a Russian painting sold at Christie’s is genuine Read More
A judge decided it was a fake, but some scholars say that a Russian painting sold at Christie’s is genuine Read More
Russians debate the future of old monuments to the leader and their meaning for the present. Read More
With trials, harassment, and other forms of intimidation, Russian authorities are striking out against curators and artists—who are, in turn, organizing projects that are increasingly provocative and political. Read More
An exhibition in Vienna brings to light new evidence of Austria’s reluctance to return art looted by the Nazis. Read More
On Sept. 14 billionaire Alisher Usmanov acquired the entire art collection of legendary cellist Mstislav Rostropovich (1927-2007) and his wife, Galina Vishnevskaya, for more than $70 million. Usmanov immediately announced plans to return the trove—which includes paintings by Boris Grigoriev, Nikolai Roerich and Vladimir Borovikovsky—to Russia. Read More
As the market grows for Russian and Eastern European art, forgeries proliferate. Read More
Forgers have been retouching hundreds of works by minor European artists, putting the signatures of major Russian artists on them and selling them for many times their worth. Read More
Despite serious concerns about the provenance of a Russian artwork—raised just days before the work went on the auction block—it sold for £420,000 ($722,400) to a Russian buyer.
The picture In the Dukhan, Imaginary Journey to Turkey, by Mikhail Larionov (1881-1964), was a highlight of the Russian art sale on Nov. 28 at the MacDougall auction house, London. Estimated at £250,000/350,000, the painting had been authenticated by art historian Anthony Parton, Larionov’s biographer and compiler of a forthcoming catalogue raisonné, who wrote that the work was “one of Larionov’s most significant paintings from 1910.” Larionov and his wife, Natalia Goncharova, were major figures of the Russian avant-garde. They settled in Paris in 1917. Read More
Whether the first Moscow Biennale accomplished its aims—to legitimize contemporary art in Russia and to thrust contemporary Russian art onto the international stage—is debatable, but it was certainly the most important art event in the city in many years. Read More