Author Archives: Robin Cembalest

Tord Boontje, Table Stories Dinnerware Plate, 2005, porcelain, underglaze blue. From "Blue and White: A Ceramic Journey."  DENVER ART MUSEUM, GIFT OF JILL A. WILTSE AND H. KIRK BROWN III
Looking at Art

The Clay’s the Thing

At the Denver Art Museum, mud is ‘marvelous’. Read More

Performers wearing costumes crocheted by the artist Olek wordlessly interact with crowds at a mini "Bushwick Art Park" installed on the Bowery as part of the New Museum's Festival of Ideas.  MAGGIE LEE
News

It’s Not Just a Museum, It’s a Think Tank

Art museums are recruiting experts from outside the art world to address problems in the real world. Read More

News

COMMENTARY: Making Themselves Useful

Artists, activism, and political realities Read More

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News

I Got You, Abe

Thinking Lincoln at the Brooklyn Museum Read More

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News

Should Curating Be Crowdsourced?

In attempting to avoid controversies over content, a Smithsonian panel might be setting the stage for even more. Read More

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News

‘Hope’ Against Hope

As the legal saga around Shepard Fairey's Obama portrait draws to a close, the country has moved on . Read More

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News

Between a Cross and a Hard Place

The controversy over the removal of a four-minute video from an exhibition at the National Portrait Gallery has observers wondering whether the culture wars are back. If so, can anything be done to stop them? Read More

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News

Marked Sherds

Machu Picchu, Yale, and the world stage. Read More

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News

A Satirist with a Loaded Brush

Art styles came and went, but painterly leftist Jack Levine had the last laugh . Read More

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News

Claims Conflict

Tensions are rising between the restitution community and U.S. museums over the proper way to handle Holocaust art claims. Read More

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News

Art Museum Directors, Unite

The stodgy AAMD votes to reinvent itself with new initiatives on membership, deaccessioning, and other hot-button issues. Read More

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Features

The Colonial Revolution

In the United States, the art made in Spain's Latin American colonies used to be considered artistically minor and politically incorrect. Now, as intellectual trends coincide with demographic realities, it's on the cutting edge of art history–and the wish lists of top museums. Read More