Features


Features
Benatove_FEATURED

Benatov: The Man Behind the Bronzes

The foundry outside Paris of Leonardo Benatov has made a specialty of producing posthumous editions of work by artists such as Degas, Dalí, and Rodin. His casting techniques have been praised. But scholars have questioned the legitimacy of the sculptures his foundry turns out Read More


Features The 200 Top Collectors
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The 2013 ARTnews 200 Top Collectors

Who are the world’s most active art buyers? Presenting the 2013 ARTnews 200 Read More


Features
Top-Ten-2013

Who Will Bid $50 Million?

The top ten collectors on the 2013 ARTnews 200 Read More


Features
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Just Desserts: Let Them Eat Cake, as Long as It’s Thiebaud

A book of sweet recipes inspired by Mapplethorpe, Cindy Sherman, and more Read More


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Painting the Sun and Sculpting Fog

San Francisco’s beloved Exploratorium moves to a new facility filled with site-specific artworks that help viewers analyze and understand the world Read More


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Studio in a School: A Teaching Moment

Bringing professional artists into classrooms, the venerable nonprofit has helped thousands of students connect with their own creativity Read More


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Matthew Day Jackson: Vroom for Change

A racing-obsessed artist builds a dragster Read More


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Auto-Destructive Tendencies

Whether by burning, cutting, shredding, or simply leaving them at the curb, artists have various reasons for disposing of their own works   Read More


Features
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Pollock Paints a Picture

In a visit to Jackson Pollock’s Long Island studio, a fellow artist chronicles a “ritual dance”
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Hans Hofmann Paints a Picture

Recording Hofmann’s “physical struggle” with the canvas Read More


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Diana Al-Hadid Makes a Sculpture

The birth of a multi-hued Venus
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De Kooning Paints a Picture

The former ARTnews editor traces the “Hamlet-like history” of an Abstract Expressionist classic Read More


Features
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Pat Steir Paints a Painting

The visceral process of pouring, dripping, pushing, squirting, and shooting from the hip
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Features
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Mitchell Paints a Picture

A renowned critic watches Joan Mitchell paint not one painting, but two Read More