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ARTnews Updates
ARTnews Talks
Eileen Kinsella:
Why It Now Costs $25 to Get Into MoMAEileen Kinsella talks about museum admission fees as part of the New York Times' series "Room for Debate".When: Sun September 11 2011 12:00 AM - Tue September 11 2012 12:00 AMThe Great Collectors
Milton Esterow talks about Ronald Lauder, Nelson Rockefeller, Norton Simon, Charles Saatchi, Kenneth Clark, Stavros Niarchos, Joseph Hirshhorn, J. Paul Getty, and others. He discusses the qualities that make a collector and why people collect.When: Wed March 28 11:00 AM - 12:30 PMPopular Posts
Online Resources
Investigations
UPDATED: A Long Lost Leonardo

One of the owners of a lost painting by Leonardo da Vinci has confirmed its discovery and authentication Read More
Protecting Goncharova’s Legacy
Alarmed by a proliferation of fakes—and books that promote them as real—Moscow’s Tretyakov Gallery has appealed to the Russian government for help. Read More
Unraveling the Mysteries of Degas’s Sculpture

An exhaustive catalogue from the National Gallery of Art draws on both art history and scientific analysis to resolve questions about how Degas made sculpture and what happened to it after his death. Read More
‘Intentionally Not Included Herein’

The National Gallery catalogue omits a set of plasters said to have been discovered recently—and opens a new front in the ongoing battle over their origin. Read More
A Crime Waiting to Happen
Two of the world's top art-theft sleuths discuss the heist from the Museum of Modern Art in Paris. Read More
A Controversy over Degas

Experts are concerned about the authenticity of 74 "recently discovered" plaster casts of Degas sculptures that were purportedly made during his lifetime and the bronzes that have been produced from them, which are now selling for more than $2 million.. Read More
Two responses to ‘A Controversy over Degas’
William D. Cohan’s article suggests that the art world today is divided into two warring camps about 74 recently revealed Degas plasters. In fact, far more consensus than controversy surrounds these plasters than the article allows. Close examination of the … Read More
Why It’s a Michelangelo

A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own biography as clues. Read More






CHINA The Next Generation
A Terrible Beauty?
UPDATED: A Long Lost Leonardo
In With the Old
The ARTnews 200 Top Collectors