Why It’s a Michelangelo
A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own biography as clues. Read More
A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own biography as clues. Read More
The discovery that a respected curator produced a set of Andy Warhol Brillo boxes after the artist’s death, passing them off as originals, has created a quandary for dealers, collectors, and scholars—including the experts in charge of authenticating the artist’s work. Read More
After two decades of tips, leads, hunches, forensic tests, psychic visions, and jailhouse confessions, the biggest art heist in history is still unsolved. Read More
An exhibition in Vienna brings to light new evidence of Austria’s reluctance to return art looted by the Nazis. Read More
A flood of posthumous sculpture by Salvador Dalí generates millions of dollars in annual revenue—but the artist’s connection with much of the work is unclear. The market is rife with unreliable information, disputed ownership claims, unauthorized editions, and legal conflict. At least two European police investigations are under way. Read More
A 50-year-old fingerprint on the side of a paint can fuels an attribution to Jackson Pollock—and charges of forgery. Read More
Stolen masterpieces are priceless and worthless at the same time—they’re too hot to sell, and have limited use as collateral. But one criminal tried to use them to sweeten his sentence. Read More
The art thieves in western Europe, says one expert, are mainly the Balkan Bandits. Read More
Forgers have been retouching hundreds of works by minor European artists, putting the signatures of major Russian artists on them and selling them for many times their worth. Read More