Looking at Art

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Looking at Art

The Woman Behind Michelangelo’s Cleopatra

The grotesque figure on the back of Michelangelo’s famous Cleopatra drawing reveals an intimate story Read More

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Looking at Art

Mind His Beeswax: Wolfgang Laib Is Everywhere

Artist brings smell, warmth and light to museums, galleries in New York and D.C. Read More

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Looking at Art

Gilty Pleasures: The Guggenheim Reframes Its Classics

A team of experts at the Guggenheim is reframing modernist works from the Thannhauser collection in period frames dating back to the 17th century Read More

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Looking at Art

Brancusi’s ‘Kiss’: A Never-Ending Embrace

A visit to Montparnasse prompts a reflection on the refined abstraction and complex romance of a famous sensual sculpture
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Looking at Art

Clyfford Still’s Figures Run Deep

New scholarship on the artist’s early work reveals an unexpected ancestry to his trademark abstractions
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Alan Vlach, Cliff Walk, Near West Point, 2012.
Looking at Art

Homing in on Homer

Five artists commissioned to shoot Winslow Homer’s studio bring a contemporary interpretation to a classic setting Read More

Northview, 2000. 
The arrangement of noncommunicative figures reflects the influence of Vuillard.
Looking at Art

Strange Bedfellows

From Fairfield Porter to David Park to Lisa Yuskavage and Peter Doig, contemporary artists have been riffing on Vuillard Read More

Looking at Art

18th Century Fox

Thomas Gainsborough painted songstress Elizabeth Linley not as a frivolous flower but as a new kind of woman Read More

Tiki, 19th century, from the Marquesas Islands.
Looking at Art

The Polynesian Connection?

Polynesian objects were given equal status with Gauguin’s work in a groundbreaking and subversive exhibition Read More

An installation view of “Miss You”
Looking at Art

Twin Peaks

Os Gêmeos bring street-art savvy to Brazilian folk tradition Read More

Cézanne’s The Large Bathers, 1906, devoid of slick finish and slick emotion, is rife with contradictions.
Looking at Art

Bathers But Not Beauties

Cézanne’s nude figures in a landscape are meant to disturb rather than delight us Read More

Olson House, 2010. James Welling photographed the Maine house that appears in Andrew Wyeth’s Christina’s World, 1948. COURTESY THE ARTIST AND DAVID ZWIRNER, NEW YORK
Looking at Art

Wyeth Redux

James Welling shoots sites in Wyeth’s world. Read More