Deaccessioned twice and the subject of multiple interpretations, a provocative Eakins sporting picture takes its place in a new collection and a new show. Read More
The first major survey of Matisse's output during World War I uses cutting-edge technology and old-fashioned connoisseurship to reveal his radical system of scraping, scratching, and repainting. Read More
When Barnett Newman painted The Wild in 1950, he challenged current standards not only of how a painting could look but of what a painting could be. Read More
