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Leonardo da Vinci, Mona Lisa, detail, c. 1503-06, oil on poplar. MUSÉE DU LOUVRE, PARIS.
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She Has a Hot Smile: Dalí on the Mona Lisa Attacks

And other excerpts from our coverage 100, 75, 50, and 25 years ago Read More

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Race You to the Porsche Show at the Art Museum

Horsepower meets star power in North Carolina Museum of Art’s upcoming survey of iconic German autos Read More

Cristina Lei Rodriquez's multicolor sculpture

COURTESY MOLESKINE
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Flipping Pages: Using Moleskine as Medium

A new book showcases artists, writers, architects, and designers who turn blank journals into works of art Read More

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America, the Great Colossal Collage: Saul Steinberg’s Forgotten Masterpiece

The spectacular, panoramic, pasted-paper mural that Saul Steinberg created for the American Pavilion of the 1958 Brussels World’s Fair is reassembled for the first time at the Ludwig Museum Read More

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Costume Drama: Rubens and Korea

A mysterious drawing inspires a show at the Getty Read More

Mark Dion, Curator's Office, 2013, Site-specific installation PHOTO COURTESY THE MINNEAPOLIS INSTITUTE OF ARTS.
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The Curator Vanishes: Period Room as Crime Scene

A disappearance, a discovery, and a mystery at the Minneapolis Institute of Arts, via Mark Dion Read More

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Tate Director Chris Dercon: ‘Everything Can Be Changed’

Visionary, intellectual, democratic, and high-wattage, director Chris Dercon puts his stamp on Tate Modern Read More

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Retrospective: When ARTnews Went to the Armory Show

And other excerpts from our coverage 100, 75, 50, and 25 years ago Read More

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Self-Portrait of the Artist as a Self-Destructing Chocolate Head

Chocolate was the medium of choice for Janine Antoni and Dieter Roth to depict—and deface—their own image Read More

Thelma Golden, director and chief curator of the Studio Museum in 
Harlem and Marcus Samuelsson, chef and owner of Red Rooster Harlem, 
at a Q&A for Samuelsson’s book Yes, Chef at Ginny’s Supper Club.
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Feast for the Eyes: Red Rooster Harlem’s Recipe for Art

At Red Rooster Harlem, chef and owner Marcus Samuelsson gives as much thought to the art on the walls as to the food Read More

Devorah Sperber, After Vermeer 2, detail view, 2006, 5,024 spools of thread, stainless-steel ball chain and hanging apparatus, clear acrylic viewing sphere, metal stand. COURTESY OF THE ARTIST.
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Girl with a Hoop Earring: Fun with Vermeer

Two beloved Vermeers have left Holland for a stint in the U.S. They’ll find their descendants stripped by Dalí, bedecked in toilet-paper rolls, and reincarnated by Cindy Sherman Read More

Faramarz Pilaram, Untitled, 1982, oil on canvas.

HOUMAN M. SARSHAR COLLECTION, NEW YORK.
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The Other Modernism: Rediscovering Iran’s Avant-Garde

Overshadowed by revolution, sanctions, and outdated notions of the Modern, Iran’s vibrant postwar art scene is coming into focus at the Asia Society Read More