Profiles

Profiles

Man of Refraction

The human-powered Resistance, 2009, pointed toward the glowing doorways of Death Row, 2006–2009, at the 2009 Venice Biennale. On the floor, Bed, 2009.

Using light, mirrors, and neon and with a sensibility at once political and poetic, Iván Navarro creates glowing gateways of endless space Read More

Profiles

Viper Realism

yoyo

Critic’s Pick: Leslie Thornton Read More

Profiles

Head in the Clouds

yoyo

With the spirit of an artist, inventor, scientist, and engineer, Tomás Saraceno creates enormous bubbles, giant ethereal webs, and basketball court−size balloons that aspire to be lighter than air Read More

Profiles

Hip-Hop Heraldry

yoyo

Through his collages, performances, and videos, Rashaad Newsome mixes ‘ghetto’ vernacular with staid European tradition Read More

Profiles

Planned Obsolescence

yoyo

Relentlessly devoted to the antiquated medium of film, Tacita Dean chronicles misbegotten journeys, elderly relatives, and obscure moments in great artists’ lives Read More

Profiles

Separating the Trees from the Forest

Disappearing Forest of Germany, 2009.  ©ALAN SONFIST/COURTESY THE ARTIST

Alan Sonfist has built a career as an urban land artist. Read More

Profiles

A Minimalist Maximalist

Untitled, 2009, a haunting work in the wake of Hurricane Katrina.  COURTESY GREENE NAFTALI GALLERY, NEW YORK

In large abstract paintings, Jacqueline Humphries puts a contemporary spin on the AbEx and Minimalist tradition. Read More

Profiles

Cosmic Comic

White Frosted Cruller at Dawn, 2011.  COURTESY PAUL KASMIN GALLERY, NEW YORK, ISTANBUL

Kenny Scharf’s loopy, Pop-saturated paintings are back—in galleries and on the street. Read More

Profiles

Signs of the Times

Empire, 2008, a watercolor on paper, is based on a sign above the Empire movie house in Montgomery, Alabama.  ©ROBERT COTTINGHAM/COURTESY FORUM GALLERY, NEW YORK

Robert Cottingham’s paintings bring back the marquees and neon glitz of midcentury America. Read More

Profiles Reviews

Britain’s Curator of Garbage

Visitors could walk through the partly disassembled Gulf Stream camper featured in the installation Quiver of Arrows at 303 Gallery in New York last year.

Mike Nelson’s multiroom installations hint at marginal lives and fallen ideologies. Read More