Retrospective


Retrospective

The Artificial Infinite: Carter Ratcliff on Agnes Martin, in 1973


Retrospective

‘Evidence of Authentic Struggle’: Eleanor Heartney on Philip Guston’s Drawings, in 1988


Retrospective

‘I Want to Combine Super Know-How with Childish Innocence’: Pipilotti Rist on Her Dreamy Videos, in 1998


Retrospective

‘There Is Something Very Vital Here in America’: Max Beckmann on Teaching in New York, in 1951


Retrospective

Making ‘Pictures’: A Short History of Douglas Crimp’s Famous Show at Artists Space in 1977


Picabia Alert Retrospective

Then and Now: Picabia, Grasshopper of Modern Art


Retrospective

‘A Recrudescent Interest in Sublime Visions’: On Jack Whitten’s Early Paintings, in 1969


Retrospective

The Will of an Athlete: On Matthew Barney’s Early Career


Retrospective

‘Being an Artist in the ’40s Was Like Suicide’: On the Long Career of Carmen Herrera


Retrospective

Transcendental Expressionist: Jack Kroll on the Art of Richard Pousette-Dart, in 1961


Retrospective

Fingernails, Sweat, and Tears: Mika Rottenberg on Her Surreal Videos, in 2008


Retrospective

A Catalogue of Horrors: Suzi Gablik on Edward Kienholz, in 1965


Retrospective

‘She Was an Original’: A Brief History of Women Modernists from New York


Retrospective

Between the Two Poles of Love and Hate: On Vito Acconci’s Uncomfortable, Disturbing Performances, in 1972