Reviews

A Mercantile Novel, installation view, 2014.
Reviews

‘Oscar Murillo: A Mercantile Novel’ at David Zwirner

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‘Ragnar Kjartansson: Me, My Mother, My Father, and I’ at the New Museum

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Julian Schnabel, Ozymandias, 1990, oil, resin, gesso, and leather on sailcloth. COURTESY ROBERT MCKEEVER/©2014 JULIAN SCHNABEL/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/COURTESY GAGOSIAN GALLERY
Reviews

‘Julian Schnabel: View of Dawn in the Tropics’ at Gagosian

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Andy Warhol, Iolas, 1974, synthetic polymer paint and silk screen on canvas. ©1974 THE ANDY WARHOL FOUNDATION.
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‘Alexander the Great: The Iolas Gallery 1955–1987′ at Paul Kasmin

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Dinh Q. Lê, The Scroll of Thich Quang Duc, 2013, C-print scroll and gold-leaf lacquer box. COURTESY P.P.O.W.
Reviews

‘Dinh Q. Lê: Warp, Woof, Zero, One’ at P.P.O.W.

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Adriana Varejão, Polvo Portraits I (Seascape Series), 2014, 
oil on canvas and paint set, triptych. COURTESY JAIME ACIOLI.
Reviews

‘Adriana Varejão: Polvo’ at Lehmann Maupin

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Sarah Charlesworth, Bowl and Column, 1986, 
Cibachrome with lacquered wood frame, two panels. COURTESY MACCARONE.
Reviews

‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone

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Anne Doran, Rack #5, 1991, black-and-white photographs, honeycomb aluminum, and aluminum bars. COURTESY INVISIBLE-EXPORTS.
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‘Anne Doran: Photo-works (1985–1991)’ at Invisible-Exports

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Rochelle Feinstein, Love Vibe (detail), 1999-2014, oil on canvas, six paintings. COURTESY STELLAR RAYS
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Rochelle Feinstein at On Stellar Rays

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Kaufman, A Story of Red, 2013, acrylic on wood panels, 39 units. COURTESY OF LESLIE TONKONOW ARTWORKS + PROJECTS
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Betsy Kaufman at Leslie Tonkonow Artworks + Projects

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Logan Grider, Self, 2012, encaustic. COURTESY DAVID FINDLAY JR.
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Logan Grider at David Findlay Jr.

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Tameka Norris, How to Write a Cursive X, 2014, acrylic and oil on fabric. COURTESY LOMBARD FREID.
Reviews

‘Tameka Norris: Too Good for You (Introducing Meka Jean)’ at Lombard Freid

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Susan kae Grant, The Gaze, 2014, archival pigment ink print. COURTESY VERVE
Reviews

‘Diffusion’ at Verve

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Tim Portlock, Sunrise-the extended constructivists re-render, 2013, archival pigment print.
COURTESY INSTITUTE OF CONTEMPORARY ART.
Reviews

‘Ruffneck Constructivists’ at Institute of Contemporary Art

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