Ian Cheng, Emissary in the Squat of Gods, 2015, simulation (color, sound), infinite duration.
THE MUSEUM OF MODERN ART, FUND FOR THE TWENTY-FIRST CENTURY
A Market of the Senses: Sara Cwynar Finds Truths and Untruths in Advertising
Arshile Gorky Will Receive First Italian Retrospective During 2019 Venice Biennale
From the Archives: Walter Pach on Eugène Delacroix’s ‘Liberty Leading the People,’ in 1946