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		<title>Connecting the Dots</title>
		<link>http://www.artnews.com/2012/05/15/connecting-the-dots/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=connecting-the-dots</link>
		<comments>http://www.artnews.com/2012/05/15/connecting-the-dots/#comments</comments>
		<pubDate>Tue, 15 May 2012 12:00:54 +0000</pubDate>
		<dc:creator>Sarah Schmerler</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA["Mark Lombardi: Death-defying Acts of Art and Conspiracy"]]></category>
		<category><![CDATA[Mareike Wegener]]></category>
		<category><![CDATA[Mark Lombardi]]></category>
		<category><![CDATA[Sarah Schmerler]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14793</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/15/connecting-the-dots/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/05/0515-300x241-150x150.jpg" class="alignleft tfe wp-post-image" alt="0515" title="0515" /></a>A new documentary looks for links in the life (and death) or Mark Lombardi <a href="http://www.artnews.com/2012/05/15/connecting-the-dots/"><span class="read-more">Read More</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Double Exposure</title>
		<link>http://www.artnews.com/2012/05/10/double-exposure/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=double-exposure</link>
		<comments>http://www.artnews.com/2012/05/10/double-exposure/#comments</comments>
		<pubDate>Thu, 10 May 2012 14:00:11 +0000</pubDate>
		<dc:creator>Ann Landi</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA["Imponderabilia"]]></category>
		<category><![CDATA["The Nude: A Study in Ideal Form"]]></category>
		<category><![CDATA[Ann Landi]]></category>
		<category><![CDATA[Carolee Schneemann]]></category>
		<category><![CDATA[Ellen Harvey]]></category>
		<category><![CDATA[Graham Nickson]]></category>
		<category><![CDATA[JoAnn Verburg]]></category>
		<category><![CDATA[John Currin]]></category>
		<category><![CDATA[Kenneth Clark]]></category>
		<category><![CDATA[Lisa Yuskavage]]></category>
		<category><![CDATA[Marina Abramovic]]></category>
		<category><![CDATA[Mickalene Thomas]]></category>
		<category><![CDATA[Mona Kuhn]]></category>
		<category><![CDATA[Rachel Kneebone]]></category>
		<category><![CDATA[Ron Mueck]]></category>
		<category><![CDATA[Shen Wei]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14787</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/10/double-exposure/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/05/0510-300x2182-150x150.jpg" class="alignleft tfe wp-post-image" alt="0510" title="0510" /></a>In paintings, photography, sculpture, and performance, artists are summoning the age-old distinction between naked and nude to comment on gender roles, sexual politics, stereotypes, and more <a href="http://www.artnews.com/2012/05/10/double-exposure/"><span class="read-more">Read More</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>When Rothko Was Rothkowitz</title>
		<link>http://www.artnews.com/2012/05/08/when-rothko-was-rothkowitz/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=when-rothko-was-rothkowitz</link>
		<comments>http://www.artnews.com/2012/05/08/when-rothko-was-rothkowitz/#comments</comments>
		<pubDate>Tue, 08 May 2012 14:00:21 +0000</pubDate>
		<dc:creator>Patricia Failing</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[Patricia Failing]]></category>
		<category><![CDATA[Portland Art Museum]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14782</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/08/when-rothko-was-rothkowitz/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0508-150x150.jpg" class="alignleft tfe wp-post-image" alt="Mark Rothko, Iphigenia and the Sea/Horizontal Phantasy, 1943, oil on canvas, 353⁄4&quot; x 48&quot;.  Portland Art Museum." title="0508" /></a>Mark Rothko at the Portland Art Museum <a href="http://www.artnews.com/2012/05/08/when-rothko-was-rothkowitz/"><span class="read-more">Read More</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Analyze This</title>
		<link>http://www.artnews.com/2012/05/03/analyze-this/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=analyze-this</link>
		<comments>http://www.artnews.com/2012/05/03/analyze-this/#comments</comments>
		<pubDate>Thu, 03 May 2012 14:00:32 +0000</pubDate>
		<dc:creator>Elizabeth Fullerton</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Elizabeth Fullerton]]></category>
		<category><![CDATA[Freud Museum]]></category>
		<category><![CDATA[Louise Bourgeois]]></category>
		<category><![CDATA[Philip Larratt-Smith]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14771</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/03/analyze-this/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0503-150x150.jpg" class="alignleft tfe wp-post-image" alt="Louise Bourgeois sculpting Sleep II in Italy, 1967 (above).  The Dangerous Obsession, 2003 (below)." title="0503" /></a>The Freud Museum puts Louise Bourgeois on the couch <a href="http://www.artnews.com/2012/05/03/analyze-this/"><span class="read-more">Read More</span></a>]]></description>
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		<title>How to Buy, Sell, &amp; Have an ‘Aha’ Moment</title>
		<link>http://www.artnews.com/2012/05/02/how-to-buy-sell-enjoy-have-an-aha-moment/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=how-to-buy-sell-enjoy-have-an-aha-moment</link>
		<comments>http://www.artnews.com/2012/05/02/how-to-buy-sell-enjoy-have-an-aha-moment/#comments</comments>
		<pubDate>Wed, 02 May 2012 14:33:13 +0000</pubDate>
		<dc:creator>Milton Esterow</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA["The Value of Art"]]></category>
		<category><![CDATA[Acquavella Galleries]]></category>
		<category><![CDATA[Michael Findlay]]></category>
		<category><![CDATA[Milton Esterow]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14985</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/02/how-to-buy-sell-enjoy-have-an-aha-moment/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0502-150x150.jpg" class="alignleft tfe wp-post-image" alt="Priced at $1,200,  John Baldessari’s Quality Material  attracted no buyers in 1968. In 2007 it fetched $4.4 million at Christie’s." title="0502" /></a>On 'The Value of Art' <a href="http://www.artnews.com/2012/05/02/how-to-buy-sell-enjoy-have-an-aha-moment/"><span class="read-more">Read More</span></a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Rauschenberg Eagle Ruffles Feathers</title>
		<link>http://www.artnews.com/2012/05/01/rauschenberg-eagle-ruffles-feathers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=rauschenberg-eagle-ruffles-feathers</link>
		<comments>http://www.artnews.com/2012/05/01/rauschenberg-eagle-ruffles-feathers/#comments</comments>
		<pubDate>Tue, 01 May 2012 14:00:04 +0000</pubDate>
		<dc:creator>Eileen Kinsella</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA["Canyon"]]></category>
		<category><![CDATA[Antonio Homem]]></category>
		<category><![CDATA[bald eagle]]></category>
		<category><![CDATA[Eileen Kinsella]]></category>
		<category><![CDATA[Ileana Sonnabend]]></category>
		<category><![CDATA[Nina Sundell]]></category>
		<category><![CDATA[Ralph Lerner]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14766</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/05/01/rauschenberg-eagle-ruffles-feathers/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0501-150x150.jpg" class="alignleft tfe wp-post-image" alt="Ileana Sonnabend, Robert Rauschenberg, and Michael Sonnabend at Galerie Sonnabend in Paris, ca. 1963." title="0501" /></a>Sonnabend heirs, IRS dispute value of ‘Canyon’ <a href="http://www.artnews.com/2012/05/01/rauschenberg-eagle-ruffles-feathers/"><span class="read-more">Read More</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Serious Fun</title>
		<link>http://www.artnews.com/2012/04/26/serious-fun/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=serious-fun</link>
		<comments>http://www.artnews.com/2012/04/26/serious-fun/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 14:00:51 +0000</pubDate>
		<dc:creator>Roger Atwood</dc:creator>
				<category><![CDATA[Profiles]]></category>
		<category><![CDATA["anthropodino"]]></category>
		<category><![CDATA["Navedenga"]]></category>
		<category><![CDATA["Views on Stage"]]></category>
		<category><![CDATA["While nothing happens"]]></category>
		<category><![CDATA[A Gentil Carioca]]></category>
		<category><![CDATA[Ernesto Neto]]></category>
		<category><![CDATA[Hayward Gallery]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[Roger Atwood]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14652</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/04/26/serious-fun/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0426-225x300-150x150.jpg" class="alignleft tfe wp-post-image" alt="0426" title="0426" /></a>Ernesto Neto’s rich, sensory environments are meant to engage all of the body’s cognitive faculties <a href="http://www.artnews.com/2012/04/26/serious-fun/"><span class="read-more">Read More</span></a>]]></description>
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		<title>Brass Menagerie</title>
		<link>http://www.artnews.com/2012/04/24/brass-menagerie/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=brass-menagerie</link>
		<comments>http://www.artnews.com/2012/04/24/brass-menagerie/#comments</comments>
		<pubDate>Tue, 24 Apr 2012 14:00:57 +0000</pubDate>
		<dc:creator>Stephanie Murg</dc:creator>
				<category><![CDATA[Profiles]]></category>
		<category><![CDATA["Centaure"]]></category>
		<category><![CDATA["Claude and François-Xavier Lalanne: Art. Work. Life."]]></category>
		<category><![CDATA["Furniture by Artists"]]></category>
		<category><![CDATA["La Mouche"]]></category>
		<category><![CDATA[Claude Lalanne]]></category>
		<category><![CDATA[François-Xavier Lalanne]]></category>
		<category><![CDATA[Galerie Alexandre Iolas]]></category>
		<category><![CDATA[Leo Castelli]]></category>
		<category><![CDATA[Paul Kasmin]]></category>
		<category><![CDATA[Paul Kasmin Gallery]]></category>
		<category><![CDATA[Stephanie Murg]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14641</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/04/24/brass-menagerie/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0424-300x200-150x150.jpg" class="alignleft tfe wp-post-image" alt="0424" title="0424" /></a>The lighthearted sculptures of François-Xavier and Claude Lalanne—featuring animals such as rhinos, crocodiles, and sheep—bridge the worlds of fine and decorative arts <a href="http://www.artnews.com/2012/04/24/brass-menagerie/"><span class="read-more">Read More</span></a>]]></description>
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		<item>
		<title>Use Your Illusion</title>
		<link>http://www.artnews.com/2012/04/19/use-your-illusion/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=use-your-illusion</link>
		<comments>http://www.artnews.com/2012/04/19/use-your-illusion/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 14:00:12 +0000</pubDate>
		<dc:creator>Hilarie M. Sheets</dc:creator>
				<category><![CDATA[Trends]]></category>
		<category><![CDATA["Lifelike"]]></category>
		<category><![CDATA["More Real? Art in the Age of Truthiness"]]></category>
		<category><![CDATA["Otherworldly: Optical Delusions and Small Realities"]]></category>
		<category><![CDATA["Re Figured"]]></category>
		<category><![CDATA[Alan Wolfson]]></category>
		<category><![CDATA[Alina Szapocznikow]]></category>
		<category><![CDATA[Dario Robleto]]></category>
		<category><![CDATA[Duane Hanson]]></category>
		<category><![CDATA[Elizabeth Armstrong]]></category>
		<category><![CDATA[Evan Penny]]></category>
		<category><![CDATA[Hilarie M. Sheets]]></category>
		<category><![CDATA[Ketih Edmier]]></category>
		<category><![CDATA[Leandro Erlich]]></category>
		<category><![CDATA[Museo delle Arti Catanzaro]]></category>
		<category><![CDATA[Museum of Arts and Design]]></category>
		<category><![CDATA[Robert Gober]]></category>
		<category><![CDATA[Siri Engberg]]></category>
		<category><![CDATA[SITE Santa Fe]]></category>
		<category><![CDATA[Tom Sachs]]></category>
		<category><![CDATA[trompe l'oeil]]></category>
		<category><![CDATA[Walker Art Center]]></category>
		<category><![CDATA[Yoshihiro Suda]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14634</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/04/19/use-your-illusion/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0419-235x300-150x150.jpg" class="alignleft tfe wp-post-image" alt="0419" title="0419" /></a>Contemporary sculptors are tricking the eye and the mind with uncannily realistic objects <a href="http://www.artnews.com/2012/04/19/use-your-illusion/"><span class="read-more">Read More</span></a>]]></description>
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		<title>Wyeth Redux</title>
		<link>http://www.artnews.com/2012/04/17/wyeth-redux/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wyeth-redux</link>
		<comments>http://www.artnews.com/2012/04/17/wyeth-redux/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 14:00:23 +0000</pubDate>
		<dc:creator>Rebecca Robertson</dc:creator>
				<category><![CDATA[Looking at Art]]></category>
		<category><![CDATA["End of Olsons"]]></category>
		<category><![CDATA["Groundhog Day"]]></category>
		<category><![CDATA["Two Trees"]]></category>
		<category><![CDATA[Andrew Wyeth]]></category>
		<category><![CDATA[James Welling]]></category>
		<category><![CDATA[Rebecca Robertson]]></category>
		<category><![CDATA[Wadsworth Atheneum]]></category>

		<guid isPermaLink="false">http://www.artnews.com/?p=14623</guid>
		<description><![CDATA[<a href="http://www.artnews.com/2012/04/17/wyeth-redux/"><img align="left" hspace="5" width="120" height="120" src="http://www.artnews.com/wp-content/uploads/2012/04/0417-e1334689942479-150x150.jpg" class="alignleft tfe wp-post-image" alt="Olson House, 2010. James Welling photographed the Maine house that appears in Andrew Wyeth’s Christina’s World, 1948. COURTESY THE ARTIST AND DAVID ZWIRNER, NEW YORK" title="0417" /></a>James Welling shoots sites in Wyeth's world. <a href="http://www.artnews.com/2012/04/17/wyeth-redux/"><span class="read-more">Read More</span></a>]]></description>
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