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Smoke Screen at the Stedelijk

By Posted 12/01/04

New evidence suggests that the museum obscured the history of how it came by its Malevich collection. New evidence suggests that the museum obscured the history of how it came by its Malevich collection Read More

Inka Essenhigh was surprised by the figures that emerged in her abstractions. Capturing the evolution: Chainlink Fence, 2004. COURTESY 303 GALLERY, NEW YORK, AND VICTORIA MIRO GALLERY, LONDON
Features

Ex-Abs

By Posted 12/01/04

Committed abstractionists are finding themselves irresistibly drawn to the figure. Read More