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Smoke Screen at the Stedelijk

New evidence suggests that the museum obscured the history of how it came by its Malevich collection. New evidence suggests that the museum obscured the history of how it came by its Malevich collection Read More


Features
Inka Essenhigh was surprised by the figures that emerged in her abstractions. Capturing the evolution: Chainlink Fence, 2004. COURTESY 303 GALLERY, NEW YORK, AND VICTORIA MIRO GALLERY, LONDON

Ex-Abs

Committed abstractionists are finding themselves irresistibly drawn to the figure. Read More