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  • JUNE-2013

    JUNE-2013
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    January 1999 Issue

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    In this Issue

    The ARTnews Annual Peer Reviews

    Experts look back at last year’s greatest hits
    Barbara Pollack

    Blob Appeal

    Roiling planets. Animated arsenals. Perverse forms in perpetual manic combat. Welcome to the chaotic comic universe of Carroll Dunham
    Gail Gregg

    Melting the Ice

    Warmed by the winds of globalization, Scandinavia’s art scene is beginning to simme
    Alan Jolis

    What Price Mapplethorpe?

    A four-year legal battle over the value of the assets Robert Mapplethorpe left behind has pitted Christie’s against the executor of the artist’s multi-million-dollar estate
    Paul Alexander

    Odd Man In

    Few artists inspire such devotion–or disdain–as Odd Nerdrum, a temperamental Norwegian who offers some decidedly unsettling takes on the Old Masters
    Alan Jolis

    Departments

    Art Talk

    The “X-Files” infiltrate the art world; Pollock-inspired haute couture; art inauguration at the White House; and more

    National News

    An unprecedented legal victory for artists rights in Indianapolis; The Whitney’s portfolio management; Spotlight on the American Federation of the Arts’ Serena Rattazzi, In Brief

    International News

    What do the latest pledges on war loot really mean? Moving towards restitution in Austria, In Brief

    Design

    Pritzker prize­winning architect Sverre Fehn lets nature speak

    City Focus: Miami

    Making Waves: In Miami, an influx of émigré talent is stirring things up

    Looking at Art

    Message on a Bar Tray: Decoding the sleek abstraction’s in Gerald Murphy’s Cocktail

    Books

    Jack Flam on Hilary Spurling’s The Unknown Matisse: A Life of Henri Matisse: The Early Years, 1869­1908; Eve Kahn on Towards a New Museum by Victoria Newhouse; Patricia Failing on Law, Ethics and the Visual Arts, edited by John Merryman and Albert Elsen

    Perspective

    Exposing “Deep Files”: Fearful of “getting Swissed,” museums are still barring researchers from certain archives–hindering the return of war loot to Holocaust victims or their heirs

    Reviews

    Our far-flung critics assess exhibitions in New York; San Francisco; Los Angeles; Philadelphia; Chicago; Seattle; Boston; Southampton, New York; Berlin; Zurich; London; Paris; Rome; and Madrid

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