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    March 1999 Issue

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    In this Issue

    CONTEMPORARY REALISM

    Changing Faces

    The portrait is back, but you might not always recognize it
    Daniel Kunitz

    Turning Heads

    Tony Bevan, heir to Britain’s figurative tradition, looks at things from the inside out
    Bella Bathurst

    Pride or Prejudice?

    Using racist images like Sambos and minstrels, a new generation of black artists has been stirring up controversy. Supporters say they’re commenting on stereotypes. Critics insist they’re betraying their community
    Pamela Newkirk

    ASIA

    Contract with Nagoya

    Can a Japanese city become the next Bilbao?
    Ken Shulman

    Nomad’s Land

    In Mongolia, the very existence of an avant-garde comes as a surprise
    Andrew Solomon

    From Op-Ed to Op Art

    For Thai artist Udomsak Krisanamis, all the news
    is fit to paint
    Margaret Juhae Lee

    Infinite Variations

    With tinfoil, cord, and netting, Francisco Infante forces the horizon line into strange contortions
    John Bowlt

    Masterpiece Theater

    How Michael Hall, once an aspiring actor, became a scholar, collector, and sculpture dealer
    Amanda Vaill

    Departments

    Art Talk

    The latest news on Marcel Duchamp; Michael Graves; Paul McCarthy and Jason Rhoades; Kristin Jones and Andrew Ginzel; Alexander Calder; Jackson Pollock; Hans Namuth; Helen Frankenthaler

    National News

    New York: MoMA merges with P.S.1; Spotlight: Peter Marzio: Houston, we have a solution; Carlsbad: Blum sculpture dispute; Seattle: Creature discomfort

    International News

    Moscow: Malevich’s Black Square disappears into a black hole; Paris: Artists battle the National Front; Murnau: Fighting over Blaue Reiter vistas; Paris: Taking sculpture outside; Chambéry: Novel theft; Onomichi: Building a new museum; Foix: Cave artists’ rites

    Art Market

    The third boom for Japanese museums; Mark Rothko: All in the family; Bacon estate update

    City Focus: New Orleans

    “Time to Paint”: The Louisiana city is setting its own tempo with a taste for the eclectic

    Artful Traveler

    Movable Feast: Basel pays tribute to Jean Tinguely, maker of self-destructing sculptures and other mad machines

    Looking at Art

    Psyched Out: Why Love can’t take wing in Jacques-Louis David’s Cupid and Psyche

    Studio

    Natural Selection: With a botanist’s eye, Michelle Stuart picks seeds and boulders to portray the cycles of life

    Perspective

    Palette of the Apes: Is the world ready for a market in paintings by chimps and elephants?

    Reviews

    Our far-flung critics assess exhibitions in New York; Boston; Los Angeles; West Hollywood & Santa Monica; Chicago; Washington, D.C.; Houston; Santa Fe; Lincoln, Massachusetts; New London, Connecticut; Paris; London; Toronto; Berlin; Jerusalem; Munich; and Mexico City

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