Also in this Issue
Why 15 Apples Are Better Than 3
What makes one artwork more expensive than a comparable one by the same artist? Provenance, condition, and quality—along with nudity and even the kind of fruit depicted
Kelly Devine Thomas
How Much Is Too Much?
You just bid $10.2 million for a work of art. Will you go to $10.3? How collectors decide
Ferdinand Protzman
How to Give and Receive (at the Same Time)
Increasingly, innovative trust strategies are helping collectors minimize estate and capital gains taxes
Eileen Kinsella
Swirls, Whirls, and Mermaid Girls
Inka Essenhigh plays fast and loose with her deconstructed mermaids, superheroines, and suburban shoppers—riffing on Art Nouveau, animated cartoons, and Greek myths
Hilarie M. Sheets
Departments
Art Talk
Jimmy Carter, Andy Garcia, Elsa Zylberstein, Vera Lutter, Meg Cranston, John Baldessari, Helmut Lang, Louise Bourgeois, Mario Batali, Kim Curry-Evans
National News
New York Guggenheim amends collection policy; Dealer charged in forgery scheme San Francisco Friends of Photography dissolved Salt Lake City, Utah Lost “Young Lovers” returned Winston-Salem, North Carolina Raising the roof
International News
Moscow “Trophy art” debate flares Amsterdam Kiev returns lost Koenigs works; Hermitage opens Dutch outpost London The fourth plinth Madrid Prado finds Goyas and Michelangelos Florence Uffizi: Uffizi: No exit? Limerick Irish museum starts Nazi loot search
Art Market
Maastricht Fragonard to Fontana New York Low prices, high sales at Armory Show; Luxembourg leaves Phillips Zurich UBS: Collector, sponsor, adviser, investor
On the Edge
From Pepperoni Pizza to a Puff of Smoke: Tamara Zahaykevich finds the inspiration for her fantastical Foamcore objects in familiar things
Sarah Bayliss
Looking at Art
The Hobbyhorse in the Basement: A famous American realist painter pays tribute to a forgotten one
Philip Pearlstein
Living with Art
Hidden Pleasures and Public Treasures: Marlies Hessel divides her collection between her Park Avenue apartment and a curatorial study center at Bard College
Dorothy Spears
Books
Cindy Sherman: The Complete Untitled Film Stills By Cindy Sherman • Digital Art By Christiane Paul • Black Mountain College: Experiment in Art Edited by Vincent Katz • Bertha Alyce: Mother exPosed By Gay Block
Perspective
Don Juan Gris and Other Stories: Two distinguished dealers told it (mostly) like it was
Milton Esterow
Reviews
New York Whitney Biennial; “Roth Time”; “Singular Forms”; David Levine; Patrick Faulhaber; “La Nuit Américaine”; Maki Tamura; William Scharf; Michael Snow; “Muse”; “The Invitational 2004”; Tom Fruin; Karin Apollonia Müller; Collier Schorr; Andreas Magdanz; Kathy Suder; Plum Blossoms Group Show; Eija-Liisa Ahtila; Joe Zucker Boston “Gauguin Tahiti” Santa Monica “NYPD” and “LAPD” Los Angeles Kori Newkirk San Francisco Milton Estrella-Gavidia Chicago Rebecca Warren Palm Beach, Florida Scott Peterman Santa Fe “18th Annual Exhibition of Important American Prints and Drawings” Houston Edouard Duval-Carrié Maplewood, New Jersey Ron Cohen, Nancy Grimes, Donato Mancini, and Tom Nussbaum Boca Raton, Florida Theresa Bernstein London Donald Judd Vienna Albrecht Dürer Tokyo “Roppongi Crossing” Paris Vincent Szarek Barcelona Joaquín Torres-García Tel Aviv Sionah Tagger Mexico City Francisco Toledo Venice Marlene Dumas