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    October 2002 Issue

    Price: $7.00

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    In this Issue

    The Empire’s New Clothes

    In his richly hybrid art, Yinka Shonibare joins together African cloth and rococo painting, politics and parody, estheticism and humor
    Pernilla Holmes

    Out of the Attic

    American folk art is coming into its own. Collectors are paying high prices for beauty, individuality, and technical virtuosity
    Anneli Rufus

    Looted Antiquities?

    Italy challenges U.S. museums
    Hugh Eakin

    Parrots, Profiles, and the Picturesque

    Works on paper from the Metropolitan Museum of Art’s collection chronicle American artistic obsessions from the colonial era to the confident nation-building of the late 19th century
    Deidre Stein Greben

    Portrait of the Art World

    An exhibition celebrates the ARTnews centenary

    “Getting Creative About Survival”

    Director Kimberly Camp has stabilized the Barnes Foundation after a period of turmoil and made it more visitor-friendly. But it’s also broke
    Ernest Beck

    Departments

    Art Talk

    Kenny Schachter, Vito Acconci, Donna Karan, Peter Lindbergh, Malcolm Liepke, Anjelica Huston, Laurent de Brunhoff, Fred Wilson, Elizabeth Murray, William Wegman, Susan Orlean, Susan Rothenberg, Anthony Caro, Thomas Sokolowksi, Joel Wachs

    National News

    Miami Money-laundering with art New York “A mind-boggling gift”; Remembering Larry Rivers North Adams, Massachusetts Thinking big

    International News

    Berlin Dadaist details London Greek statue stolen from British Museum Prague The icon and the axe Rome Italy to return looted obelisk Jerusalem Bergman’s bequest Madrid Chillida: A master steel worker

    Art Market

    Tokyo Modern art in the mountains São Paulo Brazil’s power buyer Santa Fe Artist records at Coeur d’Alene Buenos Aires The Argentine art fair: impressive

    City Focus: Boston

    Soaring, Not Slumping: With galleries doing brisk business, the Museum of Fine Arts expanding, and arts venues springing up all over, Boston’s visual arts are as vibrant as ever

    Looking at Art

    Master of the Sacred and the Profane: In his self-portrait, Michael Sweerts advertises his intellect and his dignity as well as his skill as a painter

    Books

    On European Ground By Alan Cohen • Twilight By Gregory Crewdson • Alberto Giacometti in Postwar Paris By Michael Peppiatt • Reflections and Shadows By Saul Steinberg with Aldo Buzzi • Robert Irwin Getty Garden By Lawrence Weschler • Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach By Helen A. Harrison and Constance Ayers Denne • Taking Positions: On the Erotic in Renaissance Culture By Bette Talvacchia • Scottsboro, Alabama: A Story in Linoleum Cuts By Lin Shi Khan and Tony Perez • Photography Past/Forward: Aperture at 50

    Reviews

    New York Joan Mitchell; Michal Rovner; “The Yochelson Collection”; Dan Graham, Mark Dion, Dalziel + Scullion; Patrick Henry Bruce; “Remarks on Color”; Winifred Lutz, Junko Yoda; Yousuf Karsh; Ruven Afanador; Charles Matton; Sheila Elias, Paul Critchley, Massimo Barzagli; Six American Masters; Charles Yoder; “3000 Degrees”; Akim Monet; Hobbypop Museum Los Angeles John Currin Beverly Hills James Casebere Santa Barbara William Tucker Washington, D.C. “The Quest for Immortality: Treasures of Ancient Egypt”; “Secret Gardens”; Houston Alighiero e Boetti Portland, Ore. Robert Gamblin Santa Fe Esteban Vicente London Gilbert & George; “Masters of Colour: Derain to Kandinsky” Newcastle “B.OPEN” Paris Vincent Corpet Zurich Eija-Liisa Ahtila; Robert Ryman Santiago de Compostela, Spain; Porto, Portugal Richard Tuttle Toronto “Images of Salvation”

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