A Mercantile Novel, installation view, 2014.
Reviews

‘Oscar Murillo: A Mercantile Novel’ at David Zwirner

New York Read More

Reviews

‘Ragnar Kjartansson: Me, My Mother, My Father, and I’ at the New Museum

New York Read More

Julian Schnabel, Ozymandias, 1990, oil, resin, gesso, and leather on sailcloth. COURTESY ROBERT MCKEEVER/©2014 JULIAN SCHNABEL/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/COURTESY GAGOSIAN GALLERY
Reviews

‘Julian Schnabel: View of Dawn in the Tropics’ at Gagosian

New York Read More

Andy Warhol, Iolas, 1974, synthetic polymer paint and silk screen on canvas. ©1974 THE ANDY WARHOL FOUNDATION.
Reviews

‘Alexander the Great: The Iolas Gallery 1955–1987′ at Paul Kasmin

New York Read More

Dinh Q. Lê, The Scroll of Thich Quang Duc, 2013, C-print scroll and gold-leaf lacquer box. COURTESY P.P.O.W.
Reviews

‘Dinh Q. Lê: Warp, Woof, Zero, One’ at P.P.O.W.

New York Read More

Adriana Varejão, Polvo Portraits I (Seascape Series), 2014, 
oil on canvas and paint set, triptych. COURTESY JAIME ACIOLI.
Reviews

‘Adriana Varejão: Polvo’ at Lehmann Maupin

New York Read More

Sarah Charlesworth, Bowl and Column, 1986, 
Cibachrome with lacquered wood frame, two panels. COURTESY MACCARONE.
Reviews

‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone

New York Read More

Anne Doran, Rack #5, 1991, black-and-white photographs, honeycomb aluminum, and aluminum bars. COURTESY INVISIBLE-EXPORTS.
Reviews

‘Anne Doran: Photo-works (1985–1991)’ at Invisible-Exports

New York Read More

Rochelle Feinstein, Love Vibe (detail), 1999-2014, oil on canvas, six paintings. COURTESY STELLAR RAYS
Reviews

Rochelle Feinstein at On Stellar Rays

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Abdolreza Aminlari, Composition 16, 2012,  thread on paper. COURTESY LONGHOUSE PROJECTS
Reviews

Abdolreza Aminlari and Benjamin King at Longhouse Projects

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Kaufman, A Story of Red, 2013, acrylic on wood panels, 39 units. COURTESY OF LESLIE TONKONOW ARTWORKS + PROJECTS
Reviews

Betsy Kaufman at Leslie Tonkonow Artworks + Projects

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Logan Grider, Self, 2012, encaustic. COURTESY DAVID FINDLAY JR.
Reviews

Logan Grider at David Findlay Jr.

New York Read More

Tameka Norris, How to Write a Cursive X, 2014, acrylic and oil on fabric. COURTESY LOMBARD FREID.
Reviews

‘Tameka Norris: Too Good for You (Introducing Meka Jean)’ at Lombard Freid

New York Read More

Georgia O’Keeffe, Heliconia—Crab Claw, 1939, oil on canvas. COURTESY ©GEORGIA O'KEEFFE MUSEUM/COLLECTION OF SHARON AND THURSTON TWIGG-SMITH
Reviews

Georgia O’Keeffe and Ansel Adams at Georgia O’Keeffe Museum

Santa Fe Read More

Emily Mason, Reactivated, 2013, oil on canvas. COURTESY LEWALLEN GALLERIES.
Reviews

Emily Mason at LewAllen Galleries

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Joseph Peller, Summer Evening, 2014, oil on linen. COURTESY ACA GALLERIES
Reviews

‘Joseph Peller: Circadian Rhythms of the City’ at ACA Galleries

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Ian Ratowsky, Gaze, 2011, mixed media on paper mounted on canvas. COURTESY ZANE BENNETT
Reviews

Ian Ratowksy at Zane Bennett

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Susan kae Grant, The Gaze, 2014, archival pigment ink print. COURTESY VERVE
Reviews

‘Diffusion’ at Verve

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Jane Lackey, Threshold, 2013–2014, nylon cord, pine, copper crimps, rubber bands, masonite. COURTESY CENTER FOR CONTEMPORARY ARTS
Reviews

‘Jane Lackey: Enveloping Space: Walk, Trace, Think’ at Center for Contemporary Arts

Santa Fe Read More

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Reviews

‘Yinka Shonibare: MBE Magic Ladders’ at Barnes Foundation

Philadelphia Read More

Anton Ginzburg, from the “Hyperborea” series, 2011, 
archival ink­jet print. COURTESY THE ARTIST AND BLAFFER ART MUSEUM, HOUSTON
Reviews

‘Anton Ginzburg: Terra Corpus’ at Blaffer Art Museum

Houston Read More

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Reviews

Walead Beshty at Regen Projects

Los Angeles Read More

Wolfgang Paalen, Messengers des trois pôles (Messengers from Three Poles), 1949. COURTESY  GALLERY WENDI NORRIS, SAN FRANCISCO
News Reviews

Wolfgang Paalen at Gallery Wendi Norris

San Francisco Read More

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Reviews

Neal Jones at Southard Reid

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Gideon Gechtman, Yotam (detail), 1999, mixed-media installation, dimensions variable, installation view. COURTESY ODED LÖBL/BATSHEVA AND NOAM GECHTMAN COLLECTION
Reviews

Gideon Gechtman at Israel Museum

Jerusalem Read More

Adel Abdessemed, Lampedusa, 2014, black stone on paper. COURTESY MARC DOMAGE
News Reviews

Adel Abdessemed at Blondeau & Cie

Geneva Read More

Louise Lawler, Chandelier (traced), 2001/2007/2013, signed certificate, installation instructions, match print on vinyl adhesive, and 
vector-based Illustrator file, dimensions variable. COURTESY REBECCA FANUELE/©LOUISE LAWLER/COURTESY THE ARTIST AND YVON LAMBERT, PARIS
Reviews

Louise Lawler at Yvon Lambert

Paris Read More

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Reviews

Orhan Cem Çetin at Sanatorium

Istanbul Read More

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News

Pushing Software to Its Artistic (and Algorithmic) Limits

Daniel Temkin’s Glitchometry brings the psychedelic esthetic of Op to the language of coding Read More

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Profiles

Alain Servais: Not Easy To Shock

Brussels-based collector Alain Servais keeps a focus on new media–and his opinions public on social media Read More

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Features

Ruben Ochoa’s Concrete Poetry

Mirage and illusion, drywall and rebar play equal parts in constructions that expose the functional and the dysfunctional in Southern California’s urban landscape Read More

Jill Levine, Llena, 2011, plaster-dipped gauze, modeling compound, and oil on Styrofoam. COURTESY HIONAS
Reviews

‘Jill Levine: Cats Talk’ at Hionas

New York Read More

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News

Haim Steinbach Let Loose in Menil Collection’s Storage

The artist curates his own exhibition, with cameos from the museum’s vast holdings Read More

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Profiles

Füsun Eczacıbasi: Bringing Istanbul to the World

Architect and patron Füsun Eczacıbasi is working to create a new model to support Turkish art Read More

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Profiles

Viveca Paulin-Ferrell: L.A. Story

Actress and former auctioneer Viveca Paulin-Ferrell has become a major player on the California scene Read More

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Looking at Art

What Does Latino Look Like?

A show at the National Portrait Gallery takes a broad view of how artists consider identity in their work Read More

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News

Ice Breakers: Showcasing the Art of an Arctic People

An exhibition at Scandinavia House explores the ways artists depict the history and politics of the Sámi indigenous people Read More

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Profiles

Adrian Cheng: Building Up a New Chinese Culture

Hong Kong entrepreneur Adrian Cheng is pioneering new strategies to support Chinese art Read More

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Trends

Craftivism: The Do-It-Yourself Practice of Protest Design

A show at the Victoria & Albert explores the qualities that make an object subversive Read More

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Profiles

Stephanie and Tim Ingrassia: Tapping into Brooklyn’s Artistic Power

A couple collects dazzling works destined for their New York and Connecticut homes—and for the Brooklyn Museum Read More

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Features

Saving Frida Kahlo From Her Own Celebrity

Scholars and artists are trying to reclaim Kahlo’s art from the cult of personality that has surrounded her since her death. A new exhibition at the MCA in Chicago aims to put the emphasis back on her painting by placing it in the context of work being made today Read More

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News

Bringing the Cutting-Edge to Santa Fe

At SITE Santa Fe, Irene Hofmann is upending the model of the biennial, with a six-year run of shows dedicated to the contemporary art of the Americas Read More

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Profiles

Dana Farouki: Shining a Spotlight on Middle Eastern Art

A Dubai-based scholar and philanthropist thinks beyond national borders Read More

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Profiles

Rodney Miller: Bringing the Curators to His Own Living Room

African American and African diasporic art fills the Upper East Side townhouse of Studio Museum trustee Rodney Miller

Read More

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Features Market News Top 200 Collectors

The 2014 ARTnews 200 Top Collectors

Who are the world’s most active art buyers? Presenting the 2014 ARTnews 200 Read More

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News

Clark Art Institute: Going Big in the Berkshires

A 12-year expansion project led by architect Tadao Ando brings airy subterranean galleries, a massive reflecting pool, and miles of nature trails to the Clark Art Institute Read More

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News

Photographer Passes Torch to Favela Residents

Marc Ohrem-Leclef spotlights the Brazilians the World Cup passed by Read More

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Profiles ,

Photographer Transforms Crowds into Shadows and Black and White into Color

From St. Petersburg to Havana, Alexey Titarenko knows how to use his illusion Read More