On the occasion of her first New York solo show, Lynda Barry offers tips on keeping students engaged, tackling taboos, and learning to laugh at yourself Read More
The boundary between fine art and graphic novels has grown increasingly porous Read More
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Bathroom as Site: A Brief, Incomplete History of Lavatorial Exhibitions
Maja’s Way: Collector Maja Hoffmann Builds an Iconoclastic Home for Her LUMA Foundation in the South of France
From the Archives: Barnett Newman Criticizes a MoMA Surrealism Show—and John Ashbery—in 1968