Acquiring art has devolved into the hands of a few wealthy collectors and corporations, which are legally obligated to spend a percentage of their funds on “social projects,” including art collections and exhibitions. The same artists’ names are found over and over among these holdings. Read More
Remembering Wynn Kramarsky: Friends and Colleagues on the Storied Art Collector and Patron
Display Cases: Greg Tate on a Whitney Biennial Haunted by Warren Kanders and Mamie Till 
13 Iconic MoMA Shows from the 1930s—and What ARTnews Said at the Time