Acquiring art has devolved into the hands of a few wealthy collectors and corporations, which are legally obligated to spend a percentage of their funds on “social projects,” including art collections and exhibitions. The same artists’ names are found over and over among these holdings. Read More
The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance
A Critic’s Diary: 12 Months, More than 1,000 Shows, Quite a Few Performances, and Sundry Other Events
Vasari Diary: Robert Schmitt on His Vast Collection of Newspapers and Magazines