Acquiring art has devolved into the hands of a few wealthy collectors and corporations, which are legally obligated to spend a percentage of their funds on “social projects,” including art collections and exhibitions. The same artists’ names are found over and over among these holdings. Read More
The Artist Wasn’t Present: On MoMA’s Fumbled First Showing of Black American Art
From the Poor Image to Poetic Cinema: A Ranking of 20 Hito Steyerl Videos 
From the Archives: A Look at Chicago’s Budding Art Scene, in 1955, by Museum Pioneer Peter Selz