Tag Archives: Barbara A. MacAdam


Reviews

Toni Ross and Jean Pagliuso at The Drawing Room

East Hampton Read More


Profiles

Mark Reynolds: Rational Art About Irrational Numbers

Mark Reynolds makes kaleidoscopic drawings that explore ratios, musical chords, and space itself Read More


Reviews
James Lee Byars, The World Flag, 1991, gold lamé, 161" x 85" x 6". MoMA PS1.COURTESY MICHAEL WERNER GALLERY, NEW YORK AND LONDON

James Lee Byars at MoMA PS1 and Michael Werner

New York Read More


News
Patricia Cronin’s Memorial to a Marriage at Woodlawn Cemetery. COURTESY THE ARTIST

Woodlawn Cemetery’s 150th Anniversary on Display

An exhibition at Columbia’s Wallach Gallery showcases the graveyard’s art Read More


Profiles
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Rosy Keyser’s Sculptures Create Stories That Never End

Rosy Keyser creates mystery narratives out of foraged wood, found objects, tar, wire, ropes, and more Read More


Profiles
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Barbara Nessim: An Illustrated Life

A new volume is a cultural history, a biography, and a portrait of New York’s fertile creative milieu Read More


Profiles
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Francis Alÿs: Architect of the Absurd

Francis Alÿs mixes the poetic and the political in his witty, Sisyphean performances and in sculptures, drawings, and
other works that relate to them Read More


News
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Solar Flair: An Artistic Lamp, Powered by the Sun

Olafur Eliasson and Frederik Ottesen create an object that provides light in places off the electrical grid Read More


Profiles
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­­Pink and Red and NASCAR Too

Serendipity and an eye for the playful and incongruous animate Diana Cooper’s art, which links mind and matter, sports and science, music and literature, and everything else Read More


Profiles
Robert Wilson’s rendition of Carl Maria von Weber’s opera  Der Freischütz, performed in Baden-Baden, Germany, in 2009,  with costumes by Viktor & Rolf.

Wilson’s World

Celebrating Robert Wilson’s birthday with essays, interviews, a frog, and a sharkshin shoe Read More


Reviews
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Driven to Abstraction?

Willem de Kooning at the Museum of Modern Art Read More


Reviews
Jules Olitski, Fair Charlotte, 1961, Magna acrylic on canvas, 80" x 122". FreedmanArt.

Circle in the Square

Jules Olitski at FreedmanArt, up through August 12. Read More


Looking at Art
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Pushing the Boundaries of Drawing

Richard Serra on sketching, mapping, rolling, stapling, cutting, and the other techniques he used to make the works in his Met drawings retrospective. Read More


Features
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Top Ten ARTnews Stories: "Not a Picture but an Event"

Coining the term "Action Painting," Harold Rosenberg put the name on the style that made New York the capital of the art world. Read More