A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own biography as clues. Read More
What Is Curatorial Activism?
For Women Artists, the Art World Can Be a Minefield
The Life of the Party: Phillips Collection Exhibition Examines Renoir’s Exhilarating, Festive ‘Luncheon of the Boating Party’