Infiltrating spy agencies and meddling in corporate intrigue are all in a day’s artwork for Jill Magid Read More
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Bathroom as Site: A Brief, Incomplete History of Lavatorial Exhibitions
Maja’s Way: Collector Maja Hoffmann Builds an Iconoclastic Home for Her LUMA Foundation in the South of France
From the Archives: Barnett Newman Criticizes a MoMA Surrealism Show—and John Ashbery—in 1968