A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own biography as clues. Read More
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Bathroom as Site: A Brief, Incomplete History of Lavatorial Exhibitions
Maja’s Way: Collector Maja Hoffmann Builds an Iconoclastic Home for Her LUMA Foundation in the South of France
From the Archives: Barnett Newman Criticizes a MoMA Surrealism Show—and John Ashbery—in 1968