Deaccessioned twice and the subject of multiple interpretations, a provocative Eakins sporting picture takes its place in a new collection and a new show. Read More
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Without Walls: From the Frigid Arctic to Ethiopia’s Blistering Afar Triangle, Artists Test Their Muscle and Mettle
‘The Geometry of Making’: A Mary Heilmann Doubleheader in New York
They Know Why You Fly: Martha Rosler on Her Airport Photographs