‘The most visible manifestation of affluence,” Howard Rachofsky once told Bloomberg Business, “is what’s hanging on your walls.” What’s hanging on the Rachofskys’ walls are parts of a more than 800-work collection primarily devoted to American and European postwar movements, displayed on a rotating basis at their private residence, the Rachofsky House, in Dallas. What can’t be found at the house could very well be at the Warehouse, a project that Howard Rachofsky initiated with fellow collector Vernon Faulconer for the purpose of providing scholars, curators, and critics access to their respective collections.
© 2019 ARTnews Media, LLC. All Rights Reserved. ARTnews® is registered in the U.S. Patent and Trademark Office.