MR. RAJEEB SAMDANI AND MRS. NADIA SAMDANI. BACKGROUND : (FROM LEFT) CHRISTODOULOS PANAYIOTOU, UNTITLED (50-10-50) (2016); LEE UFAN, DIALOGUE (2016); ANISH KAPOOR, UNTITLED (2014)

The Samdanis, young Bangladeshi investors, are prodigious collectors of art of their region—their vast collection includes modern and contemporary Bangladeshi artists as well as artists from India and Pakistan—as well as avid supporters of the art scene from which it arises. Rajeeb is co-chair and a founding member of Tate’s South Asian Acquisition Committee, but the Samdanis have become best known for their biennial, Dhaka Art Summit, which brings together curators, artists, and other arts professionals from around the globe. The third edition of the summit, in February 2016, attracted 138,000 visitors, putting it on par, attendance-wise, with a major international art fair. It’s an event that supports art from the region—as Rajeeb points out, “Bangladesh doesn’t have a dedicated contemporary art museum”—and also plays host to new works and commissions from international artists, like Lynda Benglis and Simryn Gill. In 2014 they were nominated for the Forbes India Art Award in the Young Collector of the Year category in recognition of their collection of Indian artists such as Anish Kapoor, Bharti Kher, Jitish Kallat, Ravinder Reddy, Chitra Ganesh, and Subodh Gupta. At the Venice Biennale in 2017, their Samdani Art Foundation unveiled plans for a permanent exhibition space to open in Northern Bangladesh, about 150 miles from Dhaka in 2018.

Copyright 2017, Art Media ARTNEWS, llc. 110 Greene Street, 2nd Fl., New York, N.Y. 10012. All rights reserved.

Nadia and Rajeeb Samdani

Location:
Dhaka, Bangladesh

Source of wealth:
Conglomerate interests (Golden Harvest Group and Gulf International Finance Limited); philanthropy (Samdani Art Foundation and Dhaka Art Summit)

Collecting area:
Modern and contemporary South Asian and international art; antique silver; design

Top 200 appearance:
, ,

Fun fact:

The first work Nadia Samdani collected was a watercolor by the Bohemian Bangladeshi modernist, SM Sultan, the only Bangladeshi artist to exhibit alongside Picasso, Dalí, and Braque at the Victoria Embankment Gardens, Hampstead, London, in 1950.