Skip to main content

Top 200 Collectors

Black-and-white portrait of a middle-aged white

Lisa and Steve Tananbaum

Palm Beach, Florida; Westchester, New York

Asset management

Contemporary art; Postwar art

Overview

Lisa and Steve Tananbaum discovered their mutual love of art while on their second date—a trip to the Metropolitan Museum of Art in New York. Over the years they have spent together since, their interest in looking at art has grown into a passion for owning it. They started their collection with a Damien Hirst butterfly painting, and today their holdings include postwar and contemporary paintings, sculpture, and photography by such historical giants as Brice Marden, Ellsworth Kelly, Frank Stella, Willem de Kooning, and Gerhard Richter, as well as by younger artists like Jenny Saville, Takashi Murakami, Andreas Gursky, and, of course, Hirst.

In April 2018, Steve Tananbaum filed suit against Gagosian gallery and Jeff Koons over the “non-delivery” of Koons’ three sculptures—Balloon Venus Hohlen Fels (Magenta), Eros, and Diana—that Tananbaum said he had purchased, comparing the deal to a Ponzi scheme. Gagosian, in turn, cited Koons’s reputation as “a perfectionist who often takes years” to complete single artworks. Tananbaum had paid more than $13 million for the works. The high-profile two-year legal battle—which was largely believed would be decided on a technicality as whether Venus, Eros, and Diana are considered “limited-edition multiples,” “fine art,” or “copies”—came to an end in January 2020 when the parties agreed to settle. (The terms of the settlement were not disclosed and all suits and countersuits were dismissed.)

But the Tananbaums have also been the subject of controversy themselves. In 2019, as the Museum of Modern Art in New York reopened following a $450 million expansion and renovation project, protestors demanded that the institution remove Steve from its board, alleging that his asset management company had profited off the Puerto Rican debt crisis.

Newswire