Ever since a couple of his projected film collages were included in this year’s Whitney Biennial, Luther Price’s profile has been rising. Callicoon makes good use of its tiny LES space by covering the glass storefront, and parts of the gallery walls, with a grid of creepily seductive prints on vellum of fibroids and tumors, plus one of his entrancing handmade slide projections made up of scraps of 8mm film.
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