In what has to have been the most caustic (and funny) voice in 1980s appropriation art, Texan Mark Flood blasted consumerist culture in collages, paintings (altered thrift-store canvases) and objects. A generous survey of these largely forgotten works, curated by Alison Gingeras, makes it seem as though Floods work is the source for every scrap of counterculture poetics that followed. The subject matter is certainly diverting, but don’t miss the canny formal brilliance of the works, which deploy doubling and elision in curious ways.
Inside the $42 Million Beverly Hills Home of the MatchesFashion Founders
Schiaparelli’s Packed Front Row, a Golden Yves Saint Laurent, Nolan Gerard Funk Talks Ties
With A Return to Live Programming, Can the Essence Festival Resume Its Dominance?
NFL Player Data Market Evolving With Profits and Pitfalls to Match